
Bruno Amezcua
Previsualization Supervisor/ Film and Arts Industry
From a young age, Bruno Amezcua was immersed in the world of film and visual arts, mentored by his grandfather, a prominent film editor active from the 1950s through the 1970s. This early exposure to the creative process of filmmaking ignited his passion for storytelling and the arts. Committed to forging a path in this dynamic field, he sought formal education to develop his skills and refine his artistic vision.
He embarked on his academic journey at the Universidad Autónoma Metropolitana in Mexico City, where he pursued and completed a Bachelor of Fine Arts. His studies did not stop there; he further enriched his artistic repertoire by attending life drawing classes at the Museo Gregorio Prieto in Ciudad Real, Spain. This prestigious institution is known for its vast collection of art, including works by notable Spanish artists, providing him with a rich source of inspiration and learning.
Continuing his education in Canada, he attended the Centennial College of Fine Arts and Technology in Ontario. He excelled in his studies, graduating with honors in 2008 and earning a graduate scholarship for outstanding academic achievements. During this education, he emphasized integrating traditional art forms with advanced digital techniques, a blend that would prove essential in his later professional projects.
Career Development and Industry Contributions
His professional life began to take shape with significant contributions to various high-profile projects in film and television. His skills in CG camera work, storyboarding, and classical illustration allowed him to work on several noteworthy productions. Notable among these were his roles in "Guardians of the Galaxy Volume 3" (2023), "Harry Potter and the Deathly Hallows: Part 2" (2011), "Next Gen" (2018), and "Maya and the Three" (2021). These projects showcased his ability to create compelling visual narratives and work collaboratively with other creators to bring their cinematic visions to life.
His dedication and skill in the field were recognized with multiple awards at the 2017 Daytime Emmy Awards, where he was honored for his work as an Animator, Layout Artist, and Lighting/Compositing Artist for the project "Lost in OZ: Extended Adventure." This recognition was a testament to his expertise and impact on the visual arts industry.
He also took on leadership roles in various capacities, including serving as the Second Unit Director of Camera/previsualization for Netflix's "Next Gen." This film, which received accolades at the Golden Reel Awards and was nominated at the Annie Awards, benefited significantly from his visual storytelling skills. His work involved creating intricate layouts, developing sharp character timing, and integrating appealing visual effects.
Ongoing Projects and Artistic Endeavors
Currently, he is a Senior Previsualization Artist at The Third Art Studio, headquartered in Los Angeles, and a Previsualization Supervisor at a startup videogame studio in Toronto. His role involves extensive previsualization work, which is crucial for planning complex scenes and visual effects in filmmaking and game development.
Beyond his professional achievements, he is passionately involved in personal projects that allow him to explore and develop his ideas. He writes screenplays, designs characters, and creates storyboards, utilizing his comprehensive skills in cinematic editing and art design. These projects are a professional pursuit and a personal passion, reflecting his lifelong commitment to storytelling and visual arts.
Community Involvement and Social Impact
Bruno Amezcua's commitment to community and social welfare is evident in his charitable activities. He supports Autism Canada and Friends In Toronto (FIT) Community Service, contributing to initiatives that empower and assist marginalized communities in the Toronto area. His efforts include financial donations and creating impactful art to address pressing social issues.
One notable project is his contribution to a campaign against gang violence in Toronto, for which he produced a graphic novel titled "Hood Habits." This work, illustrated and authored by Curtis Bell, explores the challenges young men face in gang activities, offering narratives that promote positive change and personal growth. The project received significant attention for its impactful storytelling and social relevance, highlighting his ability to use his artistic talents for community betterment.
In every aspect of his career and personal life, Bruno Amezcua embodies the spirit of innovation and compassion. Whether through his cinematic projects, personal artistic endeavors, or community involvement, he continues to influence and inspire, impacting the visual arts industry and society at large.